A Little Nudity
Strutting briskly in
nearly three-foot paces, the sultry woman moved through the atrium of the
downtown office building. Her well-proportioned body, classically structured
face, and a rear that moved with piston precision caught the eye of every man
present by the time she arrived at the elevators. Entering the first available
car, she hit the pad for her intended destination – the 14th Floor
and the McKern & Derrick Advertising Agency's Commercial Studio.
Flouncing up to the
receptionist, the woman, wearing a tailored coat, broad brimmed hat and
sunglasses, told the receptionist, "I am here to see Vonda Lewinski." The
receptionist asked if she had an appointment. "No, but she'll see me. I am
Gisele, the famous Parisian fashion model."
Not waiting for a
reply, Gisele quickly moved past the receptionist into Vonda's office. There she
confronted Vonda, a wearied woman in an Ann Taylor power suit, who was having a
talk with Robers, a French cinematic director of short stature who hid his lack
of hair beneath a red beret.
"I demand to know
why you did not respond to my offer to appear in your new commercial," Gisele
said as she slammed on Vonda's desk the casting call printed weeks before in the
local trade paper. The ad read: "Wanted: The cutest girl in the world to star in
new ad campaign…"
"You do not think
Gisele is cute? You dare to disagree with every man in the Western Hemisphere?"
Gisele haughtily said as she threw back her shoulders and tousled her hair. "I
am trying to move from modeling into acting. A role in a major ad campaign would
help me achieve that. As a result, I am willing to work for less than my normal
fee," she added.
"We just didn't
think you were right for this campaign. You see, it requires some nudity," Vonda
noted.
"Gisele is not
worried about a little nudity. I have modeled for Victoria's Secret, Donna Karen
lingerie, underwear in the Bloomingdale's catalog and related advertising. Check
page 3, lower right-hand corner in yesterday's New York Times," the fashion
model irately responded.
"But I still don't
think…" Vonda continued.
"You don't think?
Then check this out," Gisele insisted as she tossed off her coat and hat,
unzipped her dress and stepped out of it. She stood before the two ad people in
only her lilac-tinted 40D low-cut lace bra, lace-accented bikini panties,
matching garter belt, light orchid silk stockings, and claret red high-heel
shoes. "You think you can do better than this," Gisele insisted as she began to
take modeling turns in the small office.
"What do you think?"
Vonda asked Robers. "I agree with you. The girl in this ad would not be wearing
silk stockings or a garter belt," Robers exclaimed.
"I get it. This ad
is for that new Italian sports car. You want raw sexuality," Gisele said as she
undid the garters and slowly slid the stocking down her legs in a manner she
hoped would titillate Robers. Not getting a rise from him, Gisele unhooked her
garter belt and snapped it in Robers' direction. He caught it and draped it over
the chair next to him. "And he claims to be a Frenchman?" Gisele grumbled in
thought.
"Well, now what do
you think?" Vonda again asked Robers. "The girl in this ad also wouldn't be
wearing a brassiere," he added.
"Then this ad is for
that expensive brand of cognac," Gisele cheered as she reached back and undid
the small hooks at the rear of her bra. Grinning slyly, she quickly slipped the
Lycra-sided contraption off and immediately covered her naked breasts with her
arm so as not to let anyone get even a minute view her nipples. "Sexy enough for
you? I can help you sell an ocean of cognac."
"We don't have the
cognac account," Vonda began. But Robers interrupted her. "Why don't we give her
a screen test before our new computerized camera?" he suggested. Gisele demanded
it. And Vonda smiled.
Wearing only bikini
panties and high-heel shoes, Gisele, her arms clutched tightly across her
breasts, and her bra held tightly in one hand, trotted briskly through the
studio behind Robers, to the surprise and astonishment of all present. The
fashion model soon stood before the strangest piece of photographic equipment
she ever saw. Resembling a large camcorder, the device had blinking lights, thin
glass tubes full of a bubbling green liquid, and a top-mounted ball surrounded
by visible static electricity. "Never saw a camera like this before," Gisele
puzzled.
Robers carefully
programmed the camera from an attached computer screen. He then donned
lead-lined goggles and advised Gisele, "Now smile." He then flipped a switch,
which sent a bolt of amber light at Gisele, which completely encased her.
From within the
amber ball, Gisele visibly began to shrink. Looking down, Gisele noticed that
her 40D breasts where losing mass quickly. Thinking it might help, she tried to
put back on her bra, only to find it no longer fit. Worse, her panties and shoes
were becoming loose. She looked out at Vonda and Robers, and saw then grinning
broadly.
From their vantage
point, Vonda and Robers could see Gisele losing both height and aging. They
watched as Gisele, an increasingly shocked look on her face, valiantly grabbing
her panties just as they began to slide off her rump. As Gisele's shoes became
too roomy for her feet, they tipped inward, causing her to momentarily stand
knock-kneed. This acted to hold her panties up, but as Gisele let go, they
flopped downward and inside-out.
As her body passed
the early grade school years, she tried to reposition her bra on her completely
deflated upper torso, only to have the straps slide off her thinning shoulders.
At one point of this struggle, Gisele nearly had the bra on upside-down. And
then her feet slipped from her oversize shoes, causing her to first tip forward
to her knees. Attempting to get up again, her descending panties tripped her
backward for a one-point landing on her greatly reduced bottom. Tears welled in
Gisele's eyes as she inspected what remained of her body, which was now that of
a 20-month-old baby.
"Wha' happen?" baby
Gisele said as she looked plaintively at the two advertising people.
"We used the latest
in computerized morphing technology," Robers said. "At first, this technology
only could be used to alter images after they were captured on film. But a year
ago, this technology was improved so that the images could be improved before
they went on film. Most people don't know that this technology was used to erase
Drew Barrymore's love handles during the filming of ‘Charlie's Angels.'"
But Gisele was not
happy in her second childhood. As Vonda attempted to pick her up, Gisele slammed
the heel of one of her high-heel shoes into Vonda's ankles. "You bad wady," she
whined. "You arrogant, self-important bitch," Vonda grumbled as she whisked
Gisele over her lap and began to administer a well-deserved spanking to the
model's diminished bare rump. Gisele reacted by crying as loud as she could.
But Robers stopped
the punishment. "I know you hate when someone violates the sanctuary of your
office and makes demands on you, but if you bruise her fanny, we won't be able
to shoot the commercial today. You know we're behind schedule since the other
baby began teething," Robers told Vonda.
Taking naked baby
Gisele into his arms, Robers carried her to the set where the commercial was to
be shot.
"You just wouldn't
take a hint," he told the baby. "If you read the full casting call notice, you'd
know the reason we said the commercial required a little nudity is because it is
for a manufacturer of disposable diapers. It involves a comparison of how
competing brands hold wetness. You'll be photographed naked on a diaper, and
having a blotter placed on your rear. But I assure you it will be photographed
in the utmost taste and will look completely innocent. We'll pay you for your
work, and as soon as the commercial is accepted by the client, we'll reverse the
regression."
Gisele thought
things over in her head. It was for only one commercial. Nobody will recognize
her in it. And well, she really did look cute – the cutest little girl in the
world! She'd do it without complaint.
That afternoon, it
took 12 takes for the comparison shots, and 10 more for the blotter tests.
Gisele was powdered and diapered 19 times by the adult lady actress in the
commercial until Robers got the shot he wanted. Another 26 takes were necessary
for the bottle feeding scene that concluded the ad, which resulted in Gisele
requiring several more diaper changes.
Gisele was pleased
with her work, although more than a bit unnerved that as the day progressed, it
became harder to converse with the adults present. By day's end, neither she nor
they could understand each other. "Thank goodness this will be over in a few
days," Gisele thought.
Two days later, a
rough-cut of the commercial was presented to the president of the diaper
manufacturer. "This is wonderful," he said. "That baby, with her haughty and
superior attitude, really makes this ad. I'd like her in all future ads." Vonda
grinned, "Don't worry. We'll keep that baby around for as long as you want!"
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2021-08-01
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